Update: Check out The Wooden Sky in Calgary on February 12th at 8pm. They are playing at Broken City along with The Rural Alberta Advantage. may be a group forged in a downtown Toronto garage, but they have taken their “folk rock” sound across Canada to perform, record, write songs, collaborate, explore Canada and make friends along the way. The four musicians that make up The Wooden Sky, Gavin Gardiner (vocals, guitars, harmonica), Andrew Wyatt (bass, vocals), Simon Walker (piano, vocals, guitar) and Andrew Kekewich (percussion), believe that their sound is something much bigger than “folk rock”…it’s the sound of collective will. Gavin Gardiner took a few moments to sit down with Youth Are Awesome and describe what it’s really like to be a musician, and someone that’s accepted the adventure of touring during Canada’s cold winter.
The Wooden Sky
Youth Are Awesome: When did you realize Andrew, Simon and Andrew were the people you wanted to play music with?
The Wooden Sky: I kind of realize it every time we play together. It all kind of happened organically. I met [Andrew] Wyatt at an open mic night, that we were both playing that night. He was drunk and he started playing along with me. It was so annoying, he was just sitting there, waning guitar solos. I was starting another band at the time and my friend said he knew the guy playing guitar solos and that he was also a bass player so we recruited Wyatt. I met Simon through Wyatt, and Andrew [Kekewich] joined the band to fill in on a tour and we had such a good time playing together. Everything seemed right playing together and hanging out. Then Andrew went off to school, so we found a new drummer for our next tour and something didn’t seem right. When we got back, the first person we called was Andrew, even before our girlfriends. Haha.
YAA: Where did the inspiration come from for your name The Wooden Sky? What does it mean to you?
The Wooden Sky: The band had a different name before, “Friday Morning’s Regret,” which was just Wyatt and I, and we wanted to change it, but everybody hated it, the name I came up with. So I wrote a song around [The Wooden Sky] and we all decided just to go with it. There was no flaming pie in a dream or anything. Band names are just a necessary evil. I just hope that it’s transparent enough that people don’t hear the name without hearing the music and think they know exactly what it sounds like, and I think we accomplished that.
YAA: During the songwriting process is it more of a jam session or does an individual take charge of song?
The Wooden Sky: That changes song to song. Mainly, I write a piece of a song, but because I’m a procrastinator and don’t finish things very well, I bring that piece to the band or Wyatt and we often work on them together since we live together, and then everyone collaborates on it at band practice. Once that happens it usually becomes something completely different.
YAA: Your new album, “If I Don’t Come Home You’ll Know I’m Gone,” is now out, what was the recording process like, are you involved with every aspect?
The Wooden Sky: Oh yeah, super involved. We’re kind of control freaks when it comes to that. We recorded it all over the place. We recorded in Montreal working 12 hour days on it, all living together, and we had both of our drummers there. Then we transferred it all to computer files and recorded more in Toronto with my friend (who has one of the best guitar collections I’ve ever seen), and we recorded a lot of vocals in my apartment. Simon’s dad is an Anglican minister so we recorded in his church with the piano and pipe organ. It was hard to record because everything was resonating, and we had to use five mics up in the balcony.

YAA: What is one of the coolest venues you’ve played in, and one of the more questionable ones?